There's also no way to protect the screen without housing the camera in a proper bag - so we worried we'd scratch the screen compared with other vari-angle screen cameras we've used where the screen can be reversed back on itself. However, the finder's eyecup gets in the way of a clear view, which is a shame, while we don't find the lever-like release to get the portrait orientation especially practical. The 3.2-inch LCD screen takes a leaf out of Fujifilm's book and adopts a tri-adjustment bracket so that it can be moved for waist-level or overhead work in both portrait and landscape orientations. As electronic viewfinders go there's no better. There are three levels to the magnification if the 0.78x mag proves too large for you (we wear glasses, so the step-down option was useful for the most representative view for us) using the dedicated button just around from the eyecup.
PANASONIC FULL FRAME FULL
In a sense it's like strapping a Full HD telly to your eyeballs. Its a large scale, with a comfortable and rounded eyecup, delivering a whopping 5.76 million dots of resolution. The Lumix S1 also has the highest resolution viewfinder that we've ever seen in a camera too. Only it's better in every way - not least because the S1's shutter feels 'proper' without the click-happy over-response of the G9. It's easy to use and, in many senses, feels like an upsized Lumix G9. So we've established that it's a big ol' beast, but that's not to say the S1 isn't well designed. 3.2-inch, 2.1m-dot LCD touchscreen, tri-adjustment bracket.5.76m-dot OLED viewfinder, 0.78x magnification, 120fps refresh.
PANASONIC FULL FRAME SERIES
It won't ever be possible to use MFT lenses with the S series due to the physical mount's design and the inevitable difference in lens coverage. At first we thought it was all too big and chunky, but over time we've become used to using it.Īs for Micro Four Thirds? Panasonic will continue to push this format, but it's entirely unrelated to the S.
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Unlimited for UHD 4K (3840 x 2160) at 23.976p/25p/29.So the Lumix S1 is a big camera with big lenses - which might sound like a problem, but for most pros in the know they'll be content knowing it's easy to grab with one or two hands, comfortably, and use for long periods of time.
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Panasonic’s exceptional heat dispersion technology realizes stable, long time video recording. For 4K 30p/25p 4:2:0 8-bit internal recording, there is no time limit. It is also capable of 4K 60p/50p 4:2:2 10-bit HDMI output. As the latest member of the family, the LUMIX S5 is capable of 4K 60p/50p 4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording.
PANASONIC FULL FRAME ISO
The LUMIX S5 further realizes recording maximum ISO 51200 crystal-clear high sensitivity video with the adoption of the Dual Native ISO technology.Īs a pioneer of photo/video hybrid mirrorless cameras, the LUMIX has the largest lineup of cameras that record 4K 10-bit video. LUMIX S5 is a high-quality, high-performance hybrid full-frame mirrorless camera designed especially for content creators, helping you bring your ideas forward in breathtaking clarity and color.Īt the heart of the camera, the LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor that boasts a wide dynamic range and high sensitivity performance made possible by sufficient light condensation.